There's big news this week for one of my crit buddies! There's a cover!
Susan Laidlaw's novel, An Infidel in Paradise, is being published by Tundra Books and comes out in February 2013. Here's her exotic-looking cover:
And her blurb from Amazon:
Set in Pakistan, this is the story of a teen girl living with her mother and
siblings in a diplomatic compound. As if getting used to another new country and
set of customs and friends isn't enough, she must cope with an increasingly
tense political situation that becomes dangerous with alarming speed. Her life
and those of her sister and brother depend on her resourcefulness and the
unexpected help of an enigmatic Muslim classmate.
Susan is an awesome writer and I'm so-o-o excited for her! Congratulations, Susan!!
Friday, August 17, 2012
Thursday, August 16, 2012
Learning from WriteOnCon 2012 - Part 2
After Day 2 of WriteOnCon, I feel as though I've learned as much as I would at an in person conference.
There was lots of great info for writers of middle grade books in the Industry Pro Panel with Agents Katie Grimm & Sarah LaPolla, & Editors Sara Sargent & Allison Weiss. A couple of tidbits:
From Sarah Sargent, Editor: Writing Girl MG is harder than writing boy MG.
From Katie Grimm, Literary Agent: There's a huge difference between elementary school (ages 9-11) and middle school (ages 12-14).
And from all the panelists: They see a lot of stories about dogs, baking and kids sent to live with oddball aunts.
Another great presentation for writers of middle grade was Differences Between YA and MG (for the Writer Who Does Both) by author Claire Legrand. Here's a sampling:
From Claire Legrand: Make sure middle grade characters aren’t too perceptive or aware of what they’re feeling, because it makes them seem too mature for their age.
There's lots more, but the transcripts are all there, so when you have a chance, you should check it out!
For my take on Day 1 of WriteOnCon 2012, see Learning From WriteOnCon 2012 - Part 1.
There was lots of great info for writers of middle grade books in the Industry Pro Panel with Agents Katie Grimm & Sarah LaPolla, & Editors Sara Sargent & Allison Weiss. A couple of tidbits:
From Sarah Sargent, Editor: Writing Girl MG is harder than writing boy MG.
From Katie Grimm, Literary Agent: There's a huge difference between elementary school (ages 9-11) and middle school (ages 12-14).
And from all the panelists: They see a lot of stories about dogs, baking and kids sent to live with oddball aunts.
Another great presentation for writers of middle grade was Differences Between YA and MG (for the Writer Who Does Both) by author Claire Legrand. Here's a sampling:
From Claire Legrand: Make sure middle grade characters aren’t too perceptive or aware of what they’re feeling, because it makes them seem too mature for their age.
There's lots more, but the transcripts are all there, so when you have a chance, you should check it out!
For my take on Day 1 of WriteOnCon 2012, see Learning From WriteOnCon 2012 - Part 1.
Wednesday, August 15, 2012
Learning from WriteOnCon 2012 - Part 1
I've been hanging out at WriteOnCon and it's amazing! This is the first time I've had a chance to browse the forums and attend live events while the conference is actually running (though one of the great things about WriteOnCon is that all the transcripts remain up so you can visit them anytime).
My writing notebook is bursting with great tips that I can hardly wait to try out in my own writing. Here are a few things I've picked up from Tuesday's session:
It's great to have a blog because it can be a hub for all your social media. From Meredith Barnes in How to Get Started With Social Media: DON’T Do All The Things! by Publicist Meredith Barnes.
Characters are what makes a novel stand out. From Daniel Lazar in Literary Agent Daniel Lazar Talks All Things Publishing.
Strong friendships are important in middle grade fiction and it might be a good idea to make it clear that your main character has an ally in your query letter. From Peter Knapp in a Live Pitching Event with Literary Agent Peter Knapp.
For more tidbits from WriteOnCon, see Learning from WriteOnCon 2012 - Part 2.
My writing notebook is bursting with great tips that I can hardly wait to try out in my own writing. Here are a few things I've picked up from Tuesday's session:
It's great to have a blog because it can be a hub for all your social media. From Meredith Barnes in How to Get Started With Social Media: DON’T Do All The Things! by Publicist Meredith Barnes.
Characters are what makes a novel stand out. From Daniel Lazar in Literary Agent Daniel Lazar Talks All Things Publishing.
Strong friendships are important in middle grade fiction and it might be a good idea to make it clear that your main character has an ally in your query letter. From Peter Knapp in a Live Pitching Event with Literary Agent Peter Knapp.
For more tidbits from WriteOnCon, see Learning from WriteOnCon 2012 - Part 2.
Monday, August 13, 2012
Marvelous Middle Grade Monday: The Mighty Miss Malone
Today’s pick: The Mighty Miss Malone by Christopher
Paul Curtis
We find out what he likes and doesn’t like about being a
children’s book writer in a Scholastic interview with Christopher Paul Curtis.
Wendy Lamb Books/Random House, 2012
Publisher’s
Description:
"We are a family on a journey to a place called
wonderful" is the motto of Deza Malone's family. Deza is the smartest girl
in her class in Gary, Indiana, singled out by teachers for a special path in
life. But the Great Depression hit Gary hard, and there are no jobs for black
men. When her beloved father leaves to find work, Deza, Mother, and her older
brother Jimmie go in search of him, and end up in a Hooverville outside Flint,
Michigan. Jimmie's beautiful voice inspires him to leave the camp to be a
performer, while Deza and Mother find a new home, and cling to the hope that
they will find Father. The twists and turns of their story reveal the
devastation of the Depression and prove that Deza truly is the Mighty Miss
Malone.
My take:
Sometimes I find it hard to get into books that take place
in the past, but not this one. The main character, Deza, drew me in right from
the very beginning. She is a kid that loves learning and writing, so I could
easily relate to her.
The challenges she faced in the story were heart-breaking
– losing a home, moving away from a best friend, family members going missing,
having teeth so rotten your own parents can’t stand the smell. It was great that
the story ended up with a happy ending, although I thought it wrapped up a little
too neatly to be entirely believable. But I loved the whole sense of sticking with
your family that is so important in this story.
This is a story where the
parents are clearly an important part of the main character’s life, even when
they aren’t always physically present, though Deza and her brother definitely work to solve their own problems.
As a writer, I found so much to admire about this novel, but
what I’d study most closely is the voice. It’s strong and consistent, helping
to give Deza a well-defined personality right from the start.
My favourite quotes:
“…some people have kindness and gentleness wrapped around
them like a blanket and there’s no doubting who they are.”
“Hoping is such hard work. It tires you out and you never
seem to get any kind of reward. Hoping feels like you’re a balloon that has a
pinhole that slowly leaks air.”
Other info:
Christopher Paul Curtis was born and raised in Flint,
Michigan and currently lives in Detroit. When he first began writing, he worked
for General Motors at an auto assembly plant and hated it. Now he is a
full-time writer.
According
to the Afterword, Christopher Paul Curtis had something he wanted this book to
accomplish, besides being an enjoyable read: “I hope that Deza can serve as a
voice for the estimated fifteen million American children who are poor, who go
to bed hungry and whose parents struggle to make a dignified living to feed and
care for them.”
Some of his research for the book is based on a collection of
letters sent to President Roosevelt during the Great Depression.
In an interview at All About Adolescent Literacy, he says: “A lot of things that I'm writing I know
won't end up in the book. They don't seem to have anything to do with the
story, but I've learned to just let them go, because it gives me some kind of
background on what it is that I'm writing about.”
Other books by this
author include:
Elijah of Buxton, 2009
Mr. Chickee’s Messy
Mission, 2008
Mr. Chickee’s Funny Money,
2007
Bucking the Sarge, 2006
Bud, Not Buddy, 1999
The Watsons Go to
Birmingham, 1963
For more, visit Christopher Paul Curtis’ website.
***Marvelous Middle Grade Monday was dreamed up by
the wonderful Shannon Messenger. Visit her blog for an up-to-date list of all the
bloggers who are participating and posting about middle grade books
today!***
Monday, August 6, 2012
Marvelous Middle Grade Monday: Seaglass Summer
Today’s pick: Seaglass Summer by Anjali Banerjee
With warmth and humor, Anjali Banerjee tells the story of a resourceful, determined girl who can't wait to grow up, but begins to realize just how much she has left to discover.
Maya Running, 2006
The Silver Spell, (Dungeons and Dragons: Knights of the Silver Dragon #8), 2005
Rani and the Fashion Divas, (Star Sisterz #4), 2004
Marvelous Middle Grade Monday was dreamed up by the incredible Shannon Messenger. Visit her blog for an up-to-date list of all the bloggers who are participating and posting about middle grade books today!
Wendy Lamb Books/Random House, 2010
Publisher’s
Description:
Eleven-year-old Poppy Ray longs to be a veterinarian, but
she's never had a pet. This summer, she's going to spend a month with her uncle
Sanjay, veterinarian and owner of the Furry Friends Animal Clinic on an island
off the Washington coast.
Poppy is in for big surprises. She loves tending to the dogs, cats, and even a
bird, and she discovers the fun of newborn puppies and the satisfaction of
doing a good job. But she learns that there's more to caring for animals than
the stethoscope and cotton swabs in her Deluxe Veterinarian First-Aid Kit.
She's not prepared for quirky pet owners, gross stuff, or scary emergencies.
With help from a boy named Hawk, a chunk of seaglass, and a touch of intuition,
Poppy gains a deeper understanding of the pain and joy of working with animals.
With warmth and humor, Anjali Banerjee tells the story of a resourceful, determined girl who can't wait to grow up, but begins to realize just how much she has left to discover.
My take:
When I found out this book was about an
11-year-old girl who was so serious about becoming a veterinarian that she
bought her own vet tool kit, I got hooked on this story. I liked the way the author
let Poppy experience the real life circumstances of a hanging out in her uncle’s
vet office, without making it seem easy or cute. Poppy’s character is complex,
with issues related to her cultural background and family, as well as finding
out that her dream might not be as easy as she thinks, but it all fit into the
story as part of her life in a natural way. Poppy was determined to succeed despite the
setbacks and it made for a good story once it got going.
As a writer, I admired the way the author created a
realistic and complex main character without being too heavily focused on the
clash of cultures. I loved the way Poppy didn’t give up, even when faced with
challenges, and that determination in her character kept me reading until the end of the
story.
How I discovered this
book:
While browsing in the library, the title caught my eye. The
author’s name sounded familiar and later I realized I’d read one
of books for adults.
Other info:
Anjali Banerjee was born in Kolkata, India and grew up in Manitoba
and California. She now lives in the Pacific Northwest.
She wrote
her first story at the age of 7, about an abandoned puppy on a beach in Bengal.
She also
writes books for adults. Enchanting Lily
is due to be released August 7, 2012. Her other adult novels include: Haunting Jasmine, Invisible Lives, and Imaginary
Men.
In an interview at ParkingLotConfessional, she talks about
the difficulties of getting published:"The odds
against getting published are daunting, but I still believe that if you have a
*passion* for writing and developing your authentic voice, you will find an
audience."
Other books by this
author include:
Looking for Bapu,
2008Maya Running, 2006
The Silver Spell, (Dungeons and Dragons: Knights of the Silver Dragon #8), 2005
Rani and the Fashion Divas, (Star Sisterz #4), 2004
Marvelous Middle Grade Monday was dreamed up by the incredible Shannon Messenger. Visit her blog for an up-to-date list of all the bloggers who are participating and posting about middle grade books today!
Friday, August 3, 2012
Free Online Writing Conference for Children's Writers
I'm so excited about Write On Con 2012!
In case you don't know, this is an online writing conference for children's writers that takes place on August 14-15. There are opportunities for pitching agents or getting critiques, and getting your questions answered about writing for children. It's crammed with great stuff!
Here's a few of their tentatively scheduled events:
Tuesday, August 14, 8:30 AM (EDT): Live Picture Book Query Critique event with bestselling author Emma Walton Hamilton (previously submitted)
Wednesday, August 15, 11:15 AM (EDT): Live Q&A with literary agent Pamela van Hylckma Vlieg on Social Media/Blogging
Wednesday, August 15, 1 PM (EDT): Live critiques on Building Better Sentences with author Gennifer Albin (previously submitted)
And did I mention it's free? (But they do appreciate small donations to cover the expenses of organizing this fantastic opportunity -- and you can win extra prizes.)
If you're like me and you never seem to be able to get to an in person writing conference, you might want to check this one out. I learned a lot here last year, even though I was on vacation and couldn't participate in many events. Their transcripts stay up afterward, so you don't have to miss anything.
In case you don't know, this is an online writing conference for children's writers that takes place on August 14-15. There are opportunities for pitching agents or getting critiques, and getting your questions answered about writing for children. It's crammed with great stuff!
Here's a few of their tentatively scheduled events:
Tuesday, August 14, 8:30 AM (EDT): Live Picture Book Query Critique event with bestselling author Emma Walton Hamilton (previously submitted)
Wednesday, August 15, 11:15 AM (EDT): Live Q&A with literary agent Pamela van Hylckma Vlieg on Social Media/Blogging
Wednesday, August 15, 1 PM (EDT): Live critiques on Building Better Sentences with author Gennifer Albin (previously submitted)
And did I mention it's free? (But they do appreciate small donations to cover the expenses of organizing this fantastic opportunity -- and you can win extra prizes.)
If you're like me and you never seem to be able to get to an in person writing conference, you might want to check this one out. I learned a lot here last year, even though I was on vacation and couldn't participate in many events. Their transcripts stay up afterward, so you don't have to miss anything.
Wednesday, August 1, 2012
Four Ways to Remind Readers of Out of Scene Characters
In my work-in-progress, my character spends part of the story away from her family and friends. This is tricky, because I don't want the reader to forget about these early characters, especially since one or two of them have important roles later on. So I had to think of some ways to keep these characters in the back of the reader's mind, even though they're not around in the middle of the story. Some strategies for keeping off-stage characters in the story:
Introduce some memories. If the main character thinks about a time or event when they were with the out of sight character, it can do double-duty. You remind the reader of the character who isn't there, as well as adding in some emotion for the main character.
Send a message. When the off-stage character sends a message, it needs to be natural, so this doesn't work if there isn't a good reason for it. But it might also be a way to include a little mystery.
Use imagination. Sometimes, if you're really close to another person, you think about what they might think when they're not with you. I can totally see a girl imagining what her friend (or her sister or her mom) might think of a situation.
Drop a name in conversation. Not exactly subtle, but if there's a natural way to do it, characters who are in the scene could mention the out-of-sight character. It could be a way to advance the plot while reminding the reader of that other character who will eventually show up again later.
Do you have any other ideas for how to remind the reader of characters who aren't front and centre in the action?
Introduce some memories. If the main character thinks about a time or event when they were with the out of sight character, it can do double-duty. You remind the reader of the character who isn't there, as well as adding in some emotion for the main character.
Send a message. When the off-stage character sends a message, it needs to be natural, so this doesn't work if there isn't a good reason for it. But it might also be a way to include a little mystery.
Use imagination. Sometimes, if you're really close to another person, you think about what they might think when they're not with you. I can totally see a girl imagining what her friend (or her sister or her mom) might think of a situation.
Drop a name in conversation. Not exactly subtle, but if there's a natural way to do it, characters who are in the scene could mention the out-of-sight character. It could be a way to advance the plot while reminding the reader of that other character who will eventually show up again later.
Do you have any other ideas for how to remind the reader of characters who aren't front and centre in the action?
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